His voice retained its timbre and he still sounded Rafi- ish. Then Lata’s rise can be explained by musical reasons some have tried to attribute it to Noorjehan’s migration to Pakistan (to which I do not subscribe, see my article Lata Mangeshkar vs Noorjehan).īut there are no such apparent reasons for Rafi’s slide. Yet Aradhana seemed to make him twenty years younger. Rafi, and only a few years younger than him. Tune mere jaana is very popular in youth and feelings of the song touched everyone. This song is a tribute to feelings of the song “Tune Mere Jaana“.
Off-hand I too can not recall any non-film song of Kishore Kumar, though the Internet says he sang some 80 private songs. Here you can find some of the content related to India. Best Of Indian is a blog that publish amusing and ineresting indian lists, stories and articles. Lyrics and video of Hindi film song: Naa To Kaaravaan Ki Talaash Hai Singer(s): Asha Bhosle, Manna Dey, Mohammed Rafi, Sudha Malhotra Movie / Album: Barsaat Ki Raat. Latest Sunidhi Chauhan Songs List * Just Go To Hell Dil ~ Dear Zindagi * Lamhon Ke Rasgulle ~ Kahaani 2: Durga Rani Singh * Je t’aime ~ Befikre. Lata had been around for about two years and barely twenty then. Lata Mangeshkar with her immortal songs of that year with all the great composers such as Ayega Aanewala (Khemchand Prakash, Mahal), Hawa mein udata jaye mera lal dupatta malmal, Meri ankhon mein bas gaya koi re, Jiya beqaraar hai (Shankar Jaikishan, Barsaat), Uthaye ja unke sitam, Koi mere dil mein khushi ban ke aya (Naushad, Andaaz), Dil se bhula do tum mujhe (C Ramchandra, Patanga), Tumhare bulane ko ji chahta hai (Anil Biswas, Ladli), Sajan ki galiyan chhod chale, Baharein phir bhi ayengi (Shyam Sundar, Bazaar/ Lahore), La re lappa la re lappa ayee lakhda (Vinod, Ek Thi Ladki), Chale jana nahin (Husnlal Bhagatram, Badi Bahan) etc. This was in some ways similar to the earlier great watershed year of 1. What is most interesting is how Rafi started sliding behind, and Kishore Kumar became the new Rafi, singing not only for Rajesh Khanna, but later becoming Amitabh Bachchan’s voice, and then singing for virtually everyone. This was no flash in the pan.Īradhana became a clear watershed film which marked the change between the old and the new, and the end of the Golden Era of fifties and sixties. Rafi did have two duets in the film Bagon mein bahaar hai(with Lata) and Gunguna rahe hain bhanwre(with Asha Bhosle), but Kishore Kumar with Lata surpassed him with Kora kagaz tha ye man mera, and Rafi had nothing to counter his two solos Mere sapno ki rani kab ayegi tu and Roop tera mastana. Mere sapno ki rani kab ayegi tu, a phenomenon called Rajesh Khanna was born.Īlso born was another and perhaps more startling phenomenon – a new Kishore Kumar who with this one film swept aside Rafi to emerge as the No.
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